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The group formed in 1971 in the rural setting of Wümme. They secured a lucrative record deal with Polydor and soon began recording their debut, Faust, which sold poorly but received critical acclaim for its innovative approach and established a devoted fanbase. Faust became one of the premier bands in the international appreciation of the genre that would eventually be known as krautrock.
Faust became one of the first acts to sign to Richard Branson's Virgin Records, who embarked on a marketing campaign somewhat daring for its time, aimed at introducing Faust to UK record-buyers in as big a way as possible. The Faust Tapes was a cut-and-paste album which spliced together a large number of bits and pieces from their extensive collection of private recordings, not originally intended for release, but widely regarded today as their finest work. Virgin issued it at the then price of a single, 48 UK pence (they did the same the following year with Gong's Camembert Electrique album except that by then the price of a single had gone up to 59 pence). The Faust Tapes reportedly sold over 100,000 copies but its low price tag rendered it ineligible for a chart placing.
Faust broke up in 1975 after Virgin had rejected their fifth album (some of the recordings later appeared on the "Munich and Elsewhere" album), but reissues of their recordings and various additional material through Chris Cutler's Recommended Records maintained a level of interest.
The clear Faust album (1971)
Faust experimented with the presentation of some of their records. Their first album was originally on clear vinyl in a clear sleeve with an X-ray of a human fist silkscreened on the outer sleeve ("faust" is German for "fist"). The second album, So Far made extensive use of black, though inside the sleeve were sheets with one illustration for each song. The Faust Tapes had a visually disturbing op art cover design by Bridget Riley, while that for Faust IV consisted of a series of blank music staves. The impact of these designs is largely lost in CD reissues.
Faust became one of the first acts to sign to Richard Branson's Virgin Records, who embarked on a marketing campaign somewhat daring for its time, aimed at introducing Faust to UK record-buyers in as big a way as possible. The Faust Tapes was a cut-and-paste album which spliced together a large number of bits and pieces from their extensive collection of private recordings, not originally intended for release, but widely regarded today as their finest work. Virgin issued it at the then price of a single, 48 UK pence (they did the same the following year with Gong's Camembert Electrique album except that by then the price of a single had gone up to 59 pence). The Faust Tapes reportedly sold over 100,000 copies but its low price tag rendered it ineligible for a chart placing.
Faust broke up in 1975 after Virgin had rejected their fifth album (some of the recordings later appeared on the "Munich and Elsewhere" album), but reissues of their recordings and various additional material through Chris Cutler's Recommended Records maintained a level of interest.
The clear Faust album (1971)
Faust experimented with the presentation of some of their records. Their first album was originally on clear vinyl in a clear sleeve with an X-ray of a human fist silkscreened on the outer sleeve ("faust" is German for "fist"). The second album, So Far made extensive use of black, though inside the sleeve were sheets with one illustration for each song. The Faust Tapes had a visually disturbing op art cover design by Bridget Riley, while that for Faust IV consisted of a series of blank music staves. The impact of these designs is largely lost in CD reissues.